It is irrefutable that the phenotype and high conventionality of dogs result in a phenomenon that allows for a wide exploration in matters of their representation. Tools and graphic features are used to predetermine a certain path, but the dog symbolic constraints are lower than those of other animals. This exercise, theoretically speaking, synthesizes conventions through different graphic treatments that result in propositional icons. That is, the exercise translates the collective imagination into visual essays that intrigue or interest the spectator.